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East Anglia's political and economic importance in the middle ages is plain for all to see, stemming initially from its crucial position on the eastern shores of the North Sea and its participation in the successive patterns of invasion and settlement of England. Archaeological evidence abounds: burial mounds, castles, great churches deriving from the wealth created by sheep, yeoman farmhouses, and market towns of eighteenth-century elegance. Behind these visible manifestations of the march of centuries lie particular histories, and these seventeen studies from the region's best scholars reveal some of those jigsaw puzzles of time, ranging from the Domesday herring industry by way of monasteries, memorials, wills, Gainsborough and garden history to the growing passion for natural history and science in the mid nineteenth century. They make a serious contribution to an understanding of the region, and at the same time honour Norman Scarfe, whose own studies have played a notable part in the interpretation of East Anglia's history. Contributors JOHN BLATCHLY, JAMES CAMPBELL, CHRISTOPHER HARPER-BILL, CAROLE RAWCLIFFE, DAVID DYMOND, PETER NORTHEAST, COLIN RICHMOND, JUDITH MIDDLETON-STEWART, DIARMAID MacCULLOCH, HASSELL SMITH, TOM WILLIAMSON, EDWARD MARTIN, JONATHAN THEOBALD, RICHARD WILSON, HUGH BELSEY, STEVEN PLUNKETT, GEOFFREY MARTIN, MICHAEL HOWARD.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times been characterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. David Bates is Professorial Fellow in History at the University of East Anglia, Robert Liddiard is Professor of History at the University of East Anglia. Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times been characterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. David Bates is Professorial Fellow in History at the University of East Anglia, Robert Liddiard is Professor of History at the University of East Anglia. Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

East Anglia [Apr 01, 1986] Paul Jennings and John Tookey

1st edition. "Drawing on a wide range of oral and written sources Enid Porter evocatively describes the customs and beliefs of the three East Anglian counties - Cambridgeshire and the Isle of Ely, Norfolk and Suffolk." Pp.192, frontispiece plus occasional further drawings by Gay John Galsworthy and double page map. Tan cloth, dustwrapper sunned to spine. VG/G+.

This is the most detailed description of why the countryside of England now looks the way it does, covering the geology, archaeology and history of each area and what effects each has had on the landscape we see today. It includes: Framework; Peopling the Land; Making a Living; Village, Church and Farmstead Towns and Cities; Genius of Place; The Claylands Light; Lands; Wetlands; and The Imagined Landscape - Present and Future.

Print on Demand. Embark on an extraordinary journey into the heart of East Anglia's linguistic landscape with this captivating exploration of regional dialect. The author meticulously unveils a treasure trove of unique words and expressions, each a vibrant thread in the rich tapestry of local culture and heritage. This book delves into the historical roots of East Anglian vocabulary, tracing its evolution and influences. It delves into the connections between seemingly disparate words, revealing fascinating etymological links and shedding light on the interplay of language, history, and social customs. The author's passion for the subject matter shines through, making complex linguistic concepts accessible and engaging for a wide audience. Through vivid descriptions and insightful commentary, the author illuminates the depth and richness of East Anglian dialect, showcasing its expressiveness, humor, and enduring connection to the region's identity. Explore the nuances of local speech, from evocative descriptions of the natural world to colorful expressions of daily life, and gain a deeper appreciation for the cultural significance of language. This book serves as a testament to the power of words to shape and reflect a community's unique character, offering a window into the soul of East Anglia and its people. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

In shrink wrap. Looks like an interesting title!

The big skies and the extraordinary light of East Anglia make it unlike anywhere else in Britain, and offer the most amazing natural conditions in which to create gardens. The twenty-two gardens selected for Secret Gardens of East Anglia celebrate the culture, beauty and diversity of the counties of Suffolk, Norfolk, Cambridgeshire and Essex, and all deserve to be better known. Introduced by eminent East Anglian plantswoman Beth Chatto, the gardens appearing on these pages are brought to life by the award-winning author and photographer team of Barbara Segall and Marcus Harpur. From each garden we can learn about the creator’s style, their talent for exploiting the genius loci, and the specific challenges and rewards they have encountered. Featured gardens include: -COLUMBINE HALL A moated garden with a series of green rooms -HELMINGHAM HALL GARDENS A gem of a garden hidden in its own moated island -KIRTLING TOWER A field of daffodils for a Tudor gatehouse -RAVENINGHAM HALL Exquisite planting in the RHS president’s private garden -THE MANOR HOUSE, FENSTANTON Garden rooms on Capability Brown’s private estate - ULTING WICK Thousands of tulips against a backdrop of black wooden barns -WINTERTON LIGHTHOUSE A lush yet restrained garden framing a lighthouse -WYKEN HALL Vines and roses around an Elizabethan manor house

East Anglia has a unique and very substantial heritage of flint-built churches and secular buildings over a wide area that range from Saxon times to the 20th century, many of them of exceptional beauty, and most in a good state of preservation. Stephen Hart considers that these buildings, in which a large number of different flintwork techniques and designs are used that are partly functional, partly dependent upon local materials, and partly aesthetic in inspiration, constitute an important part of our heritage. His book is the first comprehensive one to be written on English flint architecture and is likely to become the definitive work on the subject.

"It has been estimated that over 90% of England’s figurative medieval art was obliterated in the image destruction of the Reformation. Medieval angel roofs, timber structures with spectacular and ornate carvings of angels, with a peculiar preponderance in East Anglia, were simply too difficult for Reformation iconoclasts to reach. Angel roof carvings comprise the largest surviving body of major English medieval wood sculpture. Though they are both masterpieces of sculpture and engineering, angel roofs have been almost completely neglected by academics and art historians, because they are inaccessible, fixed and challenging to photograph.'The Angel Roofs of East Anglia' is the first detailed historical and photographic study of the region’s many medieval angel roofs. It shows the artistry and architecture of these inaccessible and little-studied medieval artworks in more detail and clarity than ever before, and explains how they were made, by whom, and why.Michael Rimmer redresses the scholarly neglect and brings the beauty, craftsmanship and history of these astonishing medieval creations to the reader. The book also offers a fascinating new answer to the question of why angel roofs are so overwhelmingly an East Anglian phenomenon, but relatively rare elsewhere in the country."Table of Contents"ForewordIntroductionPhotographs and Explanatory CaptionsBibliography and Links"

Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description : 192 pages : illustrations ; 22 cm. Subjects : 1900-1999. Architecture England Cambridge History 20th century ; Guidebooks. Architecture England East Anglia History 20th century ; Guidebooks. Architecture. Buildings. Travel. 1 Kg.

Many domestic plant remedies were used within living memory in rural East Anglia - and indeed survive today, as shown in this volume. Informants have been for the most part elderly country people, and in almost every instance, this information has never been written down, but has been preserved orally from one generation to the next. A surprisingly large number of these native plant remedies has come to light, and an analysis of them brings out many interesting points, including the apparent accuracy of oral testimony, when compared with written information on the subject of plant remedies. Another perhaps surprising point to emerge is that new plant remedies are still being developed, some involving the use of widely grown food vegetables.

By the end of the nineteenth century the railway had reached most parts of East Anglia, with two main lines reaching out from London to Norwich, Cambridge and Kings Lynn and with plenty of small secondary and branch lines filling in the gaps between. In this informative volume, Andy T. Wallis uses over 200 fascinating photographs and maps to explore the history of the four lines in north Essex, Suffolk and Cambridgeshire, which have all now closed save for one section of the Stour Valley line. Also included are the branches from Long Melford to Bury St Edmunds, the Saffron Walden branch and the former Colne Valley & Halstead Railway from Chappel & Wakes Colne to Haverhill branch.Well-researched and in depth, this volume will appeal not only to steam railway enthusiasts, but also to local historians.

During the Civil War, in late 1643 and 1644, the Suffolk puritan William Dowsing visited some hundred parish churches in Cambridgeshire, and about a hundred and fifty in Suffolk, smashing stained glass and other 'superstitious' imagery, ripping up monumental brass inscriptions, destroying altar rails and steps, and pulling down crucifixes and crosses. He dealt equally vigorously with the chapels of the Cambridge colleges, still fresh from their Laudian re-ordering. This modern edition of Dowsing's journal brings together, with commentary, the Cambridgeshire and Suffolk sections of his record of what he destroyed, never previously published together. Dowsing and his character and beliefs are set in context, with coverage of Dowsing and the administration of iconoclasm; the work of Dowsing and his deputies in Cambridgeshire, Norfolk and Suffolk; Dowsing and Cambridge University, and the arguments at Pembroke College; evidence of destruction in the other counties of the Eastern Association; the text and history of the journal. Contributors: JOHN BLATCHLY, TREVOR COOPER, JOHN MORRILL, S. SADLER, ROBERT WALKER.

During the Civil War, in late 1643 and 1644, the Suffolk puritan William Dowsing visited some hundred parish churches in Cambridgeshire, and about a hundred and fifty in Suffolk, smashing stained glass and other 'superstitious' imagery, ripping up monumental brass inscriptions, destroying altar rails and steps, and pulling down crucifixes and crosses. He dealt equally vigorously with the chapels of the Cambridge colleges, still fresh from their Laudian re-ordering. This modern edition of Dowsing's journal brings together, with commentary, the Cambridgeshire and Suffolk sections of his record of what he destroyed, never previously published together. Dowsing and his character and beliefs are set in context, with coverage of Dowsing and the administration of iconoclasm; the work of Dowsing and his deputies in Cambridgeshire, Norfolk and Suffolk; Dowsing and Cambridge University, and the arguments at Pembroke College; evidence of destruction in the other counties of the Eastern Association; the text and history of the journal. Contributors: JOHN BLATCHLY, TREVOR COOPER, JOHN MORRILL, S. SADLER, ROBERT WALKER.

"It has been estimated that over 90% of England’s figurative medieval art was obliterated in the image destruction of the Reformation. Medieval angel roofs, timber structures with spectacular and ornate carvings of angels, with a peculiar preponderance in East Anglia, were simply too difficult for Reformation iconoclasts to reach. Angel roof carvings comprise the largest surviving body of major English medieval wood sculpture. Though they are both masterpieces of sculpture and engineering, angel roofs have been almost completely neglected by academics and art historians, because they are inaccessible, fixed and challenging to photograph.'The Angel Roofs of East Anglia' is the first detailed historical and photographic study of the region’s many medieval angel roofs. It shows the artistry and architecture of these inaccessible and little-studied medieval artworks in more detail and clarity than ever before, and explains how they were made, by whom, and why.Michael Rimmer redresses the scholarly neglect and brings the beauty, craftsmanship and history of these astonishing medieval creations to the reader. The book also offers a fascinating new answer to the question of why angel roofs are so overwhelmingly an East Anglian phenomenon, but relatively rare elsewhere in the country."Table of Contents"ForewordIntroductionPhotographs and Explanatory CaptionsBibliography and Links"

The big skies and the extraordinary light of East Anglia make it unlike anywhere else in Britain, and offer the most amazing natural conditions in which to create gardens. The twenty-two gardens selected for Secret Gardens of East Anglia celebrate the culture, beauty and diversity of the counties of Suffolk, Norfolk, Cambridgeshire and Essex, and all deserve to be better known. Introduced by eminent East Anglian plantswoman Beth Chatto, the gardens appearing on these pages are brought to life by the award-winning author and photographer team of Barbara Segall and Marcus Harpur. From each garden we can learn about the creator’s style, their talent for exploiting the genius loci, and the specific challenges and rewards they have encountered. Featured gardens include: -COLUMBINE HALL A moated garden with a series of green rooms -HELMINGHAM HALL GARDENS A gem of a garden hidden in its own moated island -KIRTLING TOWER A field of daffodils for a Tudor gatehouse -RAVENINGHAM HALL Exquisite planting in the RHS president’s private garden -THE MANOR HOUSE, FENSTANTON Garden rooms on Capability Brown’s private estate - ULTING WICK Thousands of tulips against a backdrop of black wooden barns -WINTERTON LIGHTHOUSE A lush yet restrained garden framing a lighthouse -WYKEN HALL Vines and roses around an Elizabethan manor house

The Ormesby Psalter is one of the most well-known yet mysterious manuscripts to survive the Middle Ages. It was made in a series of campaigns over many decades, starting in the late-thirteenth century, and the main decorated pages were executed in the 1310s for a marriage that never took place. Likely meant for private devotion by its wealthy patrons, this exquisite book of psalms was left unfinished. Housed in Oxford’s Bodleian Library for over 150 years, this enigmatic masterpiece is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Manuscript expert Frederica C. E. Law-Turner places the psalter within a wider historical context and then deciphers its lush illuminations—scenes that vary wildly in tone from the comic to the bawdy to the mythic. Full-color photographs illustrate the text’s many characters: falcons and hunting dogs at bay, kings and courtesans, and other animals dressed in human garb. Created over a period of decades by previously unrecognized scribes and artists, the Ormesby Psalter is an exceptional amalgam of medieval art and history. For scholars of medieval life, as well as art historians, this new study will be an invaluable resource.  

`A thoroughly plausible scenario for the poet's interest in affairs long ago and far away.' TIMES LITERARY SUPPLEMENT Persuasive ... exciting. MICHAEL WOOD Where did Beowulf, unique and thrilling example of an Old English epic poem come from? In whose hall did the poem's maker first tell the tale? The poem exists now in just one manuscript, but careful study of the literary and historical associations reveals striking details which lead Dr Newton to claim, as he pieces together the various clues, a specific origin for the poem. Dr Newton suggests that references in Beowulf to the heroes whose names are listed in Anglo-Saxon royal genealogies indicate that such Northern dynastic concerns are most likely to have been fostered in the kingdom of East Anglia. He supports his thesis with evidence drawn from East Anglian archaeology, hagiography and folklore. His argument, detailed and passionate, offers the exciting possibility that he has discovered the lost origins of the poem in the pre-Viking kingdom of 8th-century East Anglia.SAM NEWTON was awarded his Ph.D. for work on Beowulf.